If there was a wind of an exhibition at a certain time on the day of the opening day, the final night immediately felt like a business.
From the very beginning, it brought the spirit of a traditional US Open Shoppes event, in which patriotism of the national anthem and a group of US Marine Corps makes pomp by standing with a flag of an unfettered stars and straps.
Many feel that it has been devalued as a major title. Some are also having aspirations next to the champions.
Given that, the announcer of the stadium attempted to add validity by underlining what is being done for each player’s Grand Slam resume to reach the mixed doubles final.
The opening semi-final was played on a cruel intensity-it is not surprising to see the will of the characters involved in it-while Ruds Calling for a Var-style check on a peguula shot was another sign of how seriously it was being taken.
At 3-3 30–30, the umpire confirmed that the US had not reached the net – after enthusiastic discussion between the opposing players – used speed to win the initial sets with Pegula and Draper.
But after Pagula captured her head, he took an 8–4 lead in the first 10 matches, the tie-break expressed his bitter disappointment.
Unexpectedly, Italian pair Irani and Vavasori were also seriously pumped.
After winning their semi-finals, the pair mirring the Hulk Hogan-style underarm bicep flex, one of the defined images.
While the intensity on the court increased, the entertainment element was stressed.
A pair of DJs were placed behind the courtside deck, which used to kill the crowd through a New York inspired playlist, including J-Z, Cindy Lopper and Friends Theme Tunes, including changes with the familiar vision of the celeb cam and dance cam.
Fashion icon Anna Wintor, who recently stepped back from his role as Vogue Editor-in-Chief, added a star-dust to a close capacity crowd.
Thousands stayed for the end for a long time and were rewarded with a good closing for a transformative tournament, which looks lucky to live in the coming years.
